Only recently did I manage to see the inside of the small Catholic Church at Hersden a few miles from Canterbury. It is dedicated to St Dunstan whose feast day we keep today. On the left of the altar is a fine relief of St Dunstan created by Mother Concordia, a benediction nun from Minster Abbey on the Isle of Thanet. What strikes you immediately is that he is holding a harp. Geoffrey Handley in his history of Anglo Saxons says that Dunstan “was renowned as a singer and musician and seemed to have exploited the effect of the aeolian harp ( the sounds caused by the wind blowing through the strings of a free-standing instrument). He was a scholar and gifted artist as well.
Dunstan was born in 909 and was made Abbot at Glastonbury by King Edmund. “It was from this moment, probably 940 may be dated the rebirth of Medieval English monasticism which was to last undisturbed until the reformation.”
He reformed Glastonbury Abbey and was made Bishop of Worchester and then London before becoming Archbishop of Canterbury in 960. He reorganised the church by promoting monastic bishops, and took a large part in the creation of a united England
Until Thomas Becket’s fame overshadowed Dunstan’s, he was the favourite saint of the English people. Dunstan had been buried in his cathedral at Canterbury; and when that building was destroyed by a fire in 1174, his relics were translated by Archbishop Lanfranc to a tomb on the south side of the high altar in the rebuilt Canterbury Cathedral.
He was a true shepherd to his people and his interests and skills tended to the crafts of the ordinary as well as the cultured. “The appreciation of these arts shows Dunstan’s passion for the creators work and for the talents he gives to us. Contemplation of the beauty of scared art and music allows us to glimpse and, perhaps, understand a little of God’s creative power.”